"I loved the Fan and hanging out at VCU," Mann recalls of her teen years. Her yearbook photo shows her donning a black beret rakishly tilted over her close-cropped punk blond hairdo, wearing sunglasses and smoking a cigarette. When she did start talking, she was worth listening to." She was a kind of an insecure kid, very quiet, very introspective. "She was always a kid who had her own mind. "She was always a kid that was kind of ahead of her time," says Katherine Baugher, Mann's drama teacher at Midlothian High School in the mid-'70s. She and her family bounced around Richmond, living in South Richmond, Midlothian and The Fan before she left for Boston, where she attended Berklee College of Music and founded 'Til Tuesday. Mann, 39, was born at Virginia Commonwealth University's Medical College of Virginia Hospitals. She's had these companies go bankrupt on her and all kinds of stuff and she gets aggravated because they don't really understand her music." "She's kind of the poster child for record-company abuse. marketing exec who now lives in the Northern Neck. "Aimee always gets good press from the critics, but she's never been a big-hit type artist," says her father, Frank Mann Jr., a retired A.H. It's typical of Mann, who has never been uncomfortable with being an iconoclast. Like other maverick talents such as The Artist and Ani DiFranco, she has started her own record label, Superego Records, and is about to put out her first independent release next month, "Bachelor No.
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Rolling Stone has called her one of her generation's "premiere songwriters" and Time magazine said of her recent solo work that she has "the same skill that great tunesmiths like Paul McCartney and Neil Young have the knack for writing simple, beautiful, instantly engaging songs."īut Mann has been at the forefront of battles with several record labels that either didn't understand or didn't know how to market her lyrically compelling, radio-defying work. She had a cameo appearance in the Coen Brothers film "The Big Lebowski." She's done collaborations with Elvis Costello and Glenn Tilbrook of Squeeze. She's toured with Sarah McLachlan's Lilith Fair. That's not to say that she's been completely out of the public eye. I find it more intrusive than enjoyable." It takes a certain kind of person to enjoy being stared at 24 hours a day. "It was very difficult to deal with that," she says. She doesn't want to return to 1985 when 'Til Tuesday was voted MTV's Best New Artist of the Year. Mann is still coming to grips with being in the media spotlight again.
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I wouldn't say if I were to put my songs into movie form, it would come out exactly the same way." "I know was listening to some of my songs while he was writing and he's said that characters were written based on people I was talking about in my songs," Mann says in a phone interview from her home in Los Angeles, "but it's also his interpretation and his writing, so you know, it's heavily colored by him. Mann's husband, singer/songwriter Michael Penn (older brother of actor Sean Penn), did the soundtracks for Anderson's films "Hard Eights" and "Boogie Nights."Īnderson has likened "Magnolia" to sharing his "personal Aimee Mann mix tape" with the world, and Mann is certainly an integral part of the film: One character snorts coke off one of her CDs another quotes a line from one of her songs ("Now that I've met you, would you object to never seeing each other again?") at one point, in a montage, the entire cast joins in singing her song "Wise Up." Real Audio RequiredAnderson is the live-in boyfriend of singer Fiona Apple, a friend of Mann's. The follow-up to writer/director Paul Thomas Anderson's 1997 film "Boogie Nights," "Magnolia," Anderson has said, was written to accompany Mann's music the same way that "The Graduate" was written around the songs of Simon and Garfunkel in the 1960s. Oscar buzz is already beginning to follow Mann. Now Mann's voice is carrying her to the mainstream again with a Golden Globe nomination for a song from her darkly ironic pop soundtrack to the film "Magnolia," an ensemble drama starring Tom Cruise, Jason Robards and William H. She went kicking and screaming at the record executives who have largely dismissed the brilliant, critically acclaimed solo work that followed her brief stint as an early-MTV darling. Mann didn't go gently into that good night, however. It's been 15 years since Richmond native Aimee Mann shot to spiky-haired stardom with the song "Voices Carry" by her '80s New Wave band 'Til Tuesday and promptly sank into that special brand of obscurity reserved for one-hit wonders.
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